Longmire

Can you say BOOM? This promo just drips with the Boom Sound Effects Library. In a pinch, that library can take you from zero to that's a wrap in less than 2 hours. That's about how long it takes me to mix a promo like this puppy.

Cheers to an awesome voiceover by the lead actor, Robert Taylor. Other than my killer SFX, the voiceover truly makes the spot. The music sets a nice mood too. Oh and the cinematography. Don't ya just love Wyoming? My favorite state in the Union, hands down.

"Watch the moon . . . smiling in the sky, hum a tune – prairie lullaby. Peaceful wind. Old coyotes cry. Song of home, my Sweet Wyoming Home." Cheers, Danny Gotham.

As always, here is the SFX split out. Boom. Boom.

Storage Wars Sweeps

Storage Wars. Reality television at its finest [note sarcasm]. Whatever, it was fun to make the sound effects.

No really! Here's the FX only mix.



I have been especially enjoying using the Sound Toys "Speed" plug-in to modulate whooshes and other FX to give them a little more movement and doppler feel. Sound tends to have a lot of pitch involved when moving quickly. Listen to the last sound effect on the SFX pass when the endpage comes on and you can hear some of that Speed working it's magic.

Dog the Bounty Hunter

Breakin' the law. Breakin' the law! Don't skip bail when Dog the Bounty Hunter is in your neck of the woods. I usually avoid him at all costs when I skip bail.

Cheers to the producers at A&E that always pick great music. Made this spot happen. I think this was Leigh Ornstein.

As always, here is the SFX split out. I had fun with this one. Guns, chases, drama. Gotta love it.

Breakout Kings

Breakout Kings. Second season of the series on A&E with Domenick Lombardozzi from The Wire and Entourage. A classic tough guy cop.

The mix for this spot was a little rushed. Seems like they had a lot of sound effects already in place from another edit. But they were all mono so I kind of went through it and replaced or added to a lot of the original effects. It ended up sounding a lot better. But in fact the original mix sounded pretty cool at times. I was able to get some good ideas from it. Then made them sound a lot better. They put in whooshes and room tone all over the place! Kind of overkill but hey, it's a trailer after all.

At other times I questioned the orignal mix. You could tell the mixer was pretty inexperienced. Instead of removing the noise from a sound bite, they decided to cut around the dialogue and removed the noise only when the character was not talking. So you could hear these massive shifts in the noise floor (25 seconds in, Shea Daniels being interviewed outside). And because they cut out all the clean noise, that is, the noise in isolation when Shea was not talking, I had very little time to sample the noise in isolation. Anyone who knows much about noise, you know you need to isolate the noise in order to remove it. The plug-ins need a clean sample. And the worst thing you can do is to sample some noise that has a breath or other noise in it. Then your noise-reduction filter ends up taking out too much noise and you get this watery type of reverberant effect.

Long story short is I was still able to make the clip sound better and in fact, I think the average listener will not hear the noise floor jumps now. Not in the mix, at least. You can still hear it pretty clearly in isolation. But it sounds much better than before.

Bag Of Bones Behind The Scenes

This behind the scenes interview with Pierce Brosnan is particularly funny when he talks about shooting 3 sex scenes in one day. You can practically hear him thinking – "jealous much?" Oh Pierce.

Apparently this scene will be playing in theaters across the country. I really pushed the dynamic range more than I normally would for TV. Although not as much as an actual film since I figure they're going to be playing it while people are finding their seats and talking to each other. But hopefully the big hits and the bass will get their attention. I hope I can find out when it's airing and check it out.

Oh and if you can't tell, that's me making the labored breathing sounds at the top and the end. I'll add the FX only version later for you fanboys out there. Come on, I know you're out there.

To be honest, I had tried to be a lot more subtle with some of the sound FX but they kept saying more more more. And what Johnny wants – Johnny gets.

Intervention on A&E

Another fine mix for the A&E network. I had a hard time looking at the acne though. Over and over again as I mixed. Yuck.